One of the best things about private villas in Bali is that none of them are the same. Forget uniform lobbies, drab bedding and boring white walls. Think fascinating artefacts, colourful furnishings, amazing art and unique design from around the world, all representing the heritage and lifestyle of their owners. To give you an idea of the delights on offer, we’ve scoured Bali for ‘art-full’ villas that will win over the heart of even the most sophisticated art connoisseur.
Villa Asada, Candidasa
Villa Asada is a contemporary expression of Balinese style, filled with antiques and comfortable furnishings. In every corner is a spot of simple elegance and luxury, lovingly strewn with Oriental decor. Buddha and other characters in Asian history take centre stage. Little pockets of space prove that in decorating, as in life, less is truly more.
Villa Canggu, Canggu
Indonesian contemporary artists turn Villa Canggu into a living exhibition that could easily compete with many art galleries around the world. Eddy Susanto’s visual interpretation on the heritage of the Mayan people, who scandalised the world with their 2012 Armageddon prediction, is displayed here just around the corner from Yudi Sulistyo’s interpretation of modern-day life: a hanging metal spaceship entitled “World Without Sea”. Ronald Apriyan’s series of three paintings represents how modern-day women can choose to be whatever they want to be. Grab a glass of wine and start exploring.
Kaba Kaba Estate, Tabanan
For more than 20 years, the owners of Kaba Kaba Estate have been avid art collectors, and the villa serves as a showcase for their beloved treasures, which range from fascinating antiques to contemporary works of art displayed throughout the gardens and pavilions. These include Cai Zhi Song’s Ode to Motherland #5, a striking 2013 bronze of a male figure, inspired by an ancient image of a Qin dynasty warrior, to Sohan Jakhar’s Untitled (2009), which hangs above a guest bedroom headboard, and Hannes D’Haese’s sculpture Just a Dog, a pink resin bulldog that, along with its yellow counterpart, guards the entrance to the guesthouse.
Then there’s the surprisingly recent (three decades old) 8-foot-long Indonesian carving of paddlers in a boat, displayed above a puckish Dodit Artawan oil on canvas depicting Barbie dolls and liquor bottles; Dadi Setiyadi’s White Goat, a 2011 canvas that reimagines Caravaggio’s John the Baptist as a loincloth-clad figure festooned with swirling Dayak tattoos,